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  EVERYTHING IS FINE

  Usually at this time of year we'd be in the thick of planning the upcoming festival, making offers and even getting certain shows ready for sale. But until we have more clarity on several fronts, we're in a bit of a holding pattern. I'm doing the usual agent outreach, but the conversations are a bit, well, absurd: "So what's the plan for the Festival?" "Don't know. Got any artists looking to tour?" "Don't know." Repeat.

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  Catch them while you can

  You may have seen this week an excellent but heartbreaking New York Times article, by Nate Chinen, on the legendary pianist Keith Jarrett. In the article we learn that after two strokes, Keith will likely never return to the stage. Now 75, Keith's last performance was at Carnegie Hall in 2017, and while I had concerns about his silence since then, reading of his health struggles - in what is a very personal interview - was in many ways devastating: another legendary musician silenced and, selfishly, gone was the opportunity to see a legendary performer in action once more.

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  A completely biased guide to live performance

  Live performance is coming back. It may not look or sound the same as it did eight months ago, but musicians are heading back to the stage, and audiences are heading back to venues. Given the increased efforts required from all involved to follow the health protocols, weigh the risks of being out and about, and even make less money, I thought I would offer a few thoughts on what, to me, makes a good performance.

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