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  Chaos Abounds

  It's crunch time here at Festival HQ - print deadlines are looming, and it feels as though there is still an impossible number of details to be finalized. We'll get there, but it's going to be a hectic couple of weeks.

  Fitting, then, that the title of this year's final TD Discovery Series Special Project presentation, May 2 at The Tell, is "Coding Chaos." Presented by Spectrum Music, the concert will explore the relationship between composers, live musicians and artificial intelligence - and the role that AI plays currently, and might play in the future, in music-making.

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  Tetra what now?

  I'll admit that it's been a challenging several weeks, both on the home and work fronts. Everything's fine, everyone's healthy, it will all work out. But it's been a bit of a slog. I feel lucky to have supportive family, supportive colleagues, and work (official and personal) which continues to inspire me in a variety of ways.

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  Jazz genetics

  Over the past number of years, I've been excited to hear the expanding cross-pollination between jazz and other genres - and particular with genres such as R&B, soul, funk and hip hop. On one hand, this interest is purely practical - with greater cross-pollination comes greater potential audience crossover, and, hopefully, a larger audience for jazz in general.

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